At the intersection of imagination, culture, and metaphysics lies mythology&mdash;ancient stories that have outlived empires, reshaped societies, and transcended the divide between the sacred and the secular. But what do these stories mean? Are they divine revelations, moral codes, or cultural fabrications?
In his groundbreaking work Myth = Mithya: A Handbook of Hindu Mythology, author and mythologist Devdutt Pattanaik proposes a profound reinterpretation. He urges us to understand mythology not as history or fantasy, but as subjective truth&mdash;what Indian philosophy calls mithya.
In doing so, Pattanaik challenges both religious orthodoxy and modern rationalism, opening up Hindu mythology as a tool for inner reflection, not just cultural celebration.
<h3 dir="ltr">Understanding the Equation: Myth = Mithya</h3>
The title of the book itself is a provocation. In the West, myth is often synonymous with lie or untruth. But in the Indian worldview, particularly in Vedantic thought, truth is layered.
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Satya is the eternal truth (unchanging, formless reality),
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Mithya is the relative truth (experienced through perception), and
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Asatya is the false or illusory.
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Thus, mithya isn&rsquo;t false&mdash;it&rsquo;s the human experience of truth filtered through culture, desire, fear, and perception. In this sense, mythology is not meant to be factual but to make sense of life.
Pattanaik&rsquo;s central claim is that Hindu myths reflect this mithya&mdash;fluid, symbolic, subjective truths that speak not to science, but to the soul.
<h3 dir="ltr">Structure of the Book: A Philosophical Framework Through Stories</h3>
The book unfolds in three interconnected sections: God, Human, and World, mirroring the cosmic triad of Hindu philosophy.
<h4 dir="ltr">1. The Realm of Devas: Interpreting Divinity</h4>
This section lays the groundwork for understanding how divinity is perceived in Hinduism, not as omnipotent monotheistic gods, but as symbolic energies or archetypes. For example:
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Brahma (creator), Vishnu (preserver), and Shiva (destroyer) are not three separate beings, but represent cyclical forces of the universe.
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The goddess is not just a consort but Shakti, the active energy of the passive divine.
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Each god embodies a worldview: Shiva stands for detachment, Vishnu for engagement, and the goddess for fertility and transformation. These aren&rsquo;t just divine qualities&mdash;they represent human psychological states.
<h4 dir="ltr">2. The Human Journey: From Desire to Liberation</h4>
The second section explores human struggles through the lens of mythology. Key concepts such as:
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Karma (action and its consequences)
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Dharma (righteous behaviour)
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Moksha (liberation from rebirth)
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are illustrated through epics like the Ramayana and the Mahabharata.
Pattanaik stresses that Hindu mythology does not offer one-size-fits-all morality. Instead, it explores ethical complexity. Rama&rsquo;s strict adherence to dharma causes personal suffering. Krishna, on the other hand, bends rules to uphold cosmic order. This tension reflects the Indian idea that truth is contextual, not absolute.
<h4 dir="ltr">3. The World and Its Rituals: Nature, Society, and Order</h4>
The final section links mythology to rituals, festivals, and social customs. Every symbol, from the bindu on the forehead to the lotus beneath Vishnu, is encoded with meaning. They are reminders of spiritual truths, not superstitions.
Pattanaik interprets the idea of yajna (sacrifice) as a metaphor for letting go of ego. Festivals like Holi and Diwali aren&rsquo;t just celebrations&mdash;they enact cosmic and psychological truths, retelling stories of creation, destruction, love, and renewal.
<h3 dir="ltr">Myth as a Mirror: Symbolism, Psychology, and the Self</h3>
At the core of the book is the idea that myths hold up a mirror to the inner self. Pattanaik draws from Carl Jung's theory of archetypes, showing how gods and demons represent the light and shadow within us.
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Ravana is not just a villain; he&rsquo;s our ego&mdash;brilliant but overreaching.
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Draupadi is not just a wife of five husbands, but a symbol of female agency, wounded dignity, and resistance.
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Krishna&rsquo;s playful, deceptive charm reminds us that truth can wear many masks, and morality must serve compassion, not just rules.
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This makes Myth = Mithya deeply personal and psychological. It isn&rsquo;t just a guide to stories; it&rsquo;s a guide to understanding why we tell stories at all.
<h3 dir="ltr">Relevance in the Modern World</h3>
In today&rsquo;s India, where mythology is increasingly politicised or reduced to grand visuals in television serials, Pattanaik&rsquo;s work acts as a balancing force. It reminds us that mythology is not about proving something happened&mdash;it&rsquo;s about understanding why it matters.
He cautions against literal interpretations and urges readers to see mythology as evolving thought. For instance, while some may debate whether Rama existed, Pattanaik asks&mdash;What does Rama represent? How does his dilemma reflect our own choices between duty and desire?
This shift from fact to meaning is where Myth = Mithya becomes more than a book&mdash;it becomes a lens to live by.
<h3 dir="ltr">Reading with the Inner Eye</h3>
Devdutt Pattanaik&rsquo;s Myth = Mithya does not give answers&mdash;it teaches us how to ask better questions. It asks readers to shift focus: from outer gods to inner divinity, from rigid dogmas to symbolic insight, from singular truth to layered understanding.
In doing so, it revives mythology not as a relic of the past, but as a living, breathing philosophy that speaks to anyone willing to listen.
As Pattanaik writes, "Myths are truths told in stories, not to inform but to transform." And perhaps in that transformation lies the real magic&mdash;where mithya leads us not away from truth, but toward a truth we feel, live, and become.
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Not lies, not facts—just timeless truths hidden in India’s most powerful mythological tale

Myth = Mithya: Where Myths Speak Deeper Truths

Not lies, not facts—just timeless truths hidden in India’s most powerful mythological tale

July 25, 2025 | 20:52 IST