Staged at Natarani on Saturday, 27th December, this reimagined Pinocchio made its intent clear from the start. No lies that made the nose grow. No fairytales told the old way.
The production stepped away from the familiar and into something far more urgent. Shaped by movement, imagination, and meaning, it spoke to the present without spelling anything out. It trusted the audience to feel first and interpret later.
What stood out immediately was the visual language of the show. The costumes, lighting, and sound design moved in complete sync, creating a world that felt fluid rather than fixed. Each choice appeared intentional, drawing from multiple cultures and artistic traditions. Instead of feeling fragmented, these influences merged into a cohesive aesthetic that felt both global and deeply human.
Music and language added further texture. Sounds shifted, rhythms travelled, and voices overlapped, turning the stage into a living space rather than a static set. The experience felt immersive, pulling the audience into the rhythm of the performance rather than holding them at a distance.
One of the most striking elements was the sheer number of performers and characters sharing the stage. Yet there was no sense of excess. What emerged instead was harmony. Every presence felt accounted for, every movement purposeful. The ensemble work became a quiet celebration of theatrical discipline and collective storytelling.
This Pinocchio was not interested in delivering neat moral lessons. It leaned instead into themes of hope, survival, and a subtler kind of magic. The kind rooted not in fantasy, but in shared effort, imagination, and belief.
When the lights finally dimmed, what lingered was not just spectacle, but the feeling that this story had been reclaimed and retold the way it deserved to be told now.

Pinocchio, Reimagined for a Restless Present

A visually rich, culturally layered retelling that replaces fairytales with hope and light

Pinocchio, Reimagined for a Restless Present

A visually rich, culturally layered retelling that replaces fairytales with hope and light

December 28, 2025 | 21:54 IST